Wednesday, 13 November 2013

SDB: Genre Research 1: Trick or Treat

Trick or Treat

,2007



Budget;

rottentomatoes.com  ;IMDB;6.7;Roger Ebert



SUMMARY/IDEAS I MIGHT USE:
I liked the idea of using an innanimate object on screen before the ident, which then evolves into an animation and the ident itself. We could use representations of the main character through clothing, hairstyle, bedroom setting etc to signify this is vunerable character or victim.


SYNOPSIS:
A young boy who is bullied at school, idolises a dark, mysterious character which may lead to horrific events.
IDENTS/TITLES:
One ident was used for this film, however before the idents, there is an image of a scary wooden statue figure straight away appearing on screen, presenting the genre of the horror film. This image of the statue then emerges from an object into animation and evolves into the first and only ident. This is a unique way of presenting the ident which i may use in my film opening.



wooden statue figure
statue becomes animated

 


forms into ident (lion's tail)

 







The ident lasts 5 seconds before then going straight into titles. The titles first run with white font lettering on a black backround when introducing the film title and producers, however this then changes as the titles continue running over video background, a montage of shots and panning around someone's bedroom.









There are 19 titles altogether, set out in the normal layout of titles; director, producer, cast, crew, director.
MISE-EN-SCENE:
The opening scene is a long shot of the main character on his bed. 

The character is writing in a journal and narrating what he is writing, this then turns into a montage of events with different scenes in various locations around the school, such as the lunchroom, the sports hall, the changing rooms and under the stairs. Throughout this montage the main character, the young boy, is seen being bullied and hurt in various ways, signifying this vunerable, weak character which usually links in perfectly with the horror genre. We get the idea that this character is going to either be the antagonist to save the day from the "evil" occurences later on in the film, or infact the victim in the situation. In the main character's bedroom we see a poster of some sort of dark character that he seems to idolise. This eery character he chooses to idolise creates enigma on what kind of lifestyle the boy leads.
REPRESENTATIONS:
From the representation of the character's bedroom during the running titles, also with the style of non-diegetic rock music that runs with it, we get the idea that this character leads a dark, mysterious lifestyle, perhaps suggesting that he is infact going to be the antagonist.The  representation of the main character's haircut in contrast to the other character's emphasises how different he is, and vunerable, making us almost certain that this will lead up to a dis-equillibrium involving this character.
SOUNDTRACK:
From the very beginning before the idents there is a non-diegetic soundtrack playing. This plays throughout the idents, and first titles, (lasting 42 seconds in total) overlapping with anon-diegetic narrative from a mysterious character the audience is not familiar with, creating enigma before the titles have even finished.  The titles then continue and the soundtrack changes to different non-diegetic music which then goes onto play throughout the rest of the titles and over the first diegetic sound. This soundtrack is played for 3 minutes 32 over a montage of events happening. 
The first soundtrack (over ident and first titles);
Denotation; Long, drawn out synthesised music and violins- with slow tempoed, deep man voice-over reciting a dark poem.
Conotation; Eery, creates enigma, mysterious, keeps audience on edge, creates tension. Man's voice and words may create confusion the audience on what this poem means,signifies the genre of the film.

Genre Research 2: The Lost Boys


 (prod.)

Budget: $8.5M; US box office: $32M

Opening duration: 2:55/6:30
Rottentomatoes.com 75%; IMDB 7.1.


Summary/Ideas I Might Use
Showing the antagonist first. Red in the titles to signify genre. Contrasting between the antagonist and protagonist to create binary opposition in the opening. Disequilibrium set up in the opening.
Synopsis
After moving to a new town, two brothers are convinced that the area is frequented by vampires.

Idents/Titles
There is 1 ident at the start of the film (Warner Bros.) It lasted for 13 seconds.
There are 2 titles before the main title and opening, company names and director. The titles are white font on a dark background. In the main title there is red accents which the audience links to blood. The red is a genre signifier. 

Mise-en-scene
The opening shot is an extreme long shot of the pier. This is setting the scene and showing what sort of place it will be set in. We see the antagonists in the first part of the opening (although we don't know they are the antagonist), and they are causing havoc at the fairground. This sets up a binary opposition of sorts between the antagonists and the setting. The setting is very happy and bright and what you would associate with fun holidays, and the antagonists are the opposite.

The mise-en-scene is mainly showing contrasts, especially in the second half of the opening. We see this shown especially when we see the sign for Santa Carla. The sign looks very nice on the front, but at the back is graffitied and says 'murder capital of the world'. This shows the contrast of the nice part and not so nice part of the town. We see this even more emphasised by the montage of different people in the Santa Carla area. Some are dressed in light clothes and shorts etc for holiday goers, whereas others are dressed in black, different hairstyles, and general gothic-ness. 

Representations
The antagonists are shown in dark clothing and alternative hairstyles and accessories. This tells us they are different from everyone else and gives us a hint that they might be the antagonists even though the audience isn't sure. They are represented as mischievous because they are breaking the rules by walking on the carousel and the security guard tells them off for this. The security guard later goes missing and this tells us that he messed with the wrong guys.

The protagonists are shown as binary opposites to the antagonists through their clothing and their speech and mood. They are seemingly happier, shown through the fact they wear brighter clothing and smile more.
Narrative, Genre, and Exposition
In the opening we see a disequilibrium set up because the security guard goes missing (presumably been killed). Also there is a narrative enigma because we don't know what has happened to the security guard either. This straight away hooks the audience. 

We learn that the two brothers are moving to Santa Carla with their mum in the second part of the opening. This sets up another disequilibrium because the brothers are moving to a new place and need to settle in.
Soundtrack
There is an audio bridge between the ident, titles, and opening shot of non-diegetic music. This continues through the opening.

Genre Research 1: Texas Chainsaw Massacre

 (prod.)

Budget: $83.5K; US box office: $30M

Opening duration: 4:43
Rottentomatoes.com 91%; IMDB 7.5.


Summary/Ideas I Might Use
Using a radio or media like that to relay information to the audience.
Matching the music to things happening on screen for example the title cards changing.
Showing short snippets of scene or not revealing the whole scene straight away to add tension.
Synopsis
The Texas Chainsaw Massacre is a 1974 American slasher film. It follows a group of friends who fall victim to a family of cannibals while on their way to visit an old homestead. It was marketed as a true story but is fictional.

Idents/Titles
There are no idents in this movie. 
first set of titles
The titles are kept as few as possible at the beginning of the movie. This is to make it seem as though it is a true story. There are 2 titles before this, which makes it seem more like a documentary rather than a movie (which is what they were going for to make it seem scarier). 

After the opening there are the rest of the titles, which are set out how you would usually see the end credits today but it was quite common to have the titles look like this in older movies. However, the titles are in the usual order of company names, director, cast, crew, then director again.
second set of titles

The colours are mainly red and black, with yellow writing to make it stand out from the background. It looks like blood is leaking everywhere in the background of the titles. This gives anchorage that the movie is a slasher. The music also signifies that the movie is a slasher because when the titles change there is a drum sound which makes you jump a little bit, putting you on edge for the rest of the movie.

Mise-en-scene
... and a decomposing foot on the floor
Decomposing fingers flash on screen...
 The mise-en-scene to start with only shows flashes of the scene because it is like pictures being taken on a camera. Bits of decomposing flesh show on the screen for a split second. It gives you a taster of what there is to come. The scene turns to show a dead body hung up on a gravestone in a graveyard, which we can gather this information from the radio playing in the background. It is a gruesome sight and strongly anchors the genre as a slasher movie by the gory mise-en-scene already shown. You can tell this is not an everyday decomposing body in, for example, a lab, because you can see the body is on the floor. All of this straight away is to gross out the audience and to set the tone of the movie, telling the audience they are in for a gory ride.

The dead body attached to a gravestone in a graveyard

Narrative, Genre, and Exposition
We can find out a lot about the setting/exposition of the film through this opening. The film camera tells us that it was set in the 20th century. The radio presenter's voice is American and this tells us it is set in America. The colour of the graveyard scene is quite yellow, which makes it look hot and could tell us that it is set in a hotter part of the USA. The darkness at the start tells us that that scene is set at night, because it is dark even though they are outside.

The main purpose of this film opening is setting up the dis-equilibrium in the narrative. It shows us that something is wrong, an incident has happened which will affect the main character in some way. The fact that it is reported on the radio tells us it is a big event for the town and this tells us it will be a big event in the movie too.

There are lots of genre signifiers. The soundtrack is very tense and jumpy which signifies a horror movie. There are gory pictures of dead bodies which tells us it will be quite bloody and graphic i.e. a slasher movie. The titles show us that it is a slasher movie too because of the bloody background and shaky-ness of the background too.
Soundtrack
There is an audio bridge between the titles and the opening. 

The audio starts with diegetic sounds of chopping, digging, cutting, and a mumbling person. The screen is black so you can only hear what's happening. The flash of a film camera can be heard which corresponds to flashes on the screen of images of decomposing flesh. (This makes it look like the camera has taken a photo). There are continued diegetic sounds of slicing, and a radio is fading in talking about a crime that has happened. 

Non-diegetic music has also faded in, and as the scene changes the diegetic sound stops and only the radio and music remain. We see now that the radio is talking about a specific crime that is shown on screen. The radio is the main focus so we get exposition about the scene that we are seeing. 

The music is long notes with tingling sounds every so often that reminded me of heartbeats because there was usually two jingles in a row. Some drums come in, slowly building up until the second set of titles show. There is lots of music e.g. drums and long notes. The radio is talking about something else like it is just being played in the background and no one is paying attention to it.

Saturday, 9 November 2013

SDB: Film Festival Field Trip


On friday the 8th november, the media students went to a film festival in York. The AS students got a chance to go listen to one of Warp production's team, Barry Ryan. He gave us an insight of what life is like working for a big film company, how he got into it, their short films etc.
We learnt a few facts on Warp Film, such as;
They have made 18 films, 7 ITV series, won 7 BAFTAS, and hold 1 world record. 
Barry also informed us about Warp X digital, which is what was used to create the film Tryannosaur. It cost £1m and under to make, using digital technology. Warp Films are also in relations with people such as Jessie Armstrong (creator of Tracy Beaker) who also wrote one of Warp Film's biggest films, Four Lions.
Barry Ryan showed us many clips on some short films, and tv series that Warp Films have done, such as Channel 4's Southcliffe. Barry also gave us useful information on the neccessary steps needed, and roles involved when creating short films. 
He said there are a few things we need to think about, for example;

  • The reason behind why we are making a short film
  • Is it a showreel?
  • Are we making it just for practice on film-making?
  • Is it perhaps a story that has to be told?
  • Whether it is just for fun or an experiment
  • Are we making a short film just to hang out with friends, for a social aspect?
He also informed us of the many different roles and factors that need to be allocated/ sorted out when making a film, such as; 

  • Budget
  • Time schedule
  • Negotiating deals/contracts
  • Allocating a project manager
  • Technical manager
  • Human resources
  • Health and safety
  • Legals for closing film and TV/tax credits
  • Cashflow money (if you can only get £200 out a day from your bank)
He emphasised how short films are difficult to generate money from, which I never knew. The same amount of hard work and filming goes into short films as they do into big studio films, however the purpose is not to make a profit like long films would.
In order to make a short film you need at least;
30 days preperatino, 30 days to shoot footage, 10 hours of filming per day.
Barry said if a film was to make £1m at the box office, that exhibitors take 50% of what is made, distributors take their P&A back, and the producers get 50% back.

Wednesday, 6 November 2013

ALL Summary of General Openings Conventions

This is our vodcast on general codes and conventions in film openings.


We have looked at 6 films: Napoleon Dynamite, Ferris Bueller's Day Off, Withnail and I, Four Lions, The Matrix, and Love Actually.

There are usually no more than 3 idents, and idents in studio movies are usually longer and there are usually more idents in big movies than indie movies. About 15 seconds for studio idents and about 5 seconds for indie film idents. In Napoleon Dynamite, the idents last 55 seconds for all 3 idents. In Four Lions, it is 18 seconds for two idents.

The number of titles shown are usually about 15, although there are usually more titles in studio movies as there are more big stars and more cast and crew because they have a bigger budget so can afford more cast and crew, for example in Napoleon Dynamite, the total title time is 3:30 because it is made by a big company (Fox Searchlight).


The order of the titles is usually: company names, director, cast, crew, director. It usually is set out like 'a ----- production' for the directors name(s).


Opening shot is usually an extreme long shot/establishing shot, showing the setting. For example, in Ferris Bueller's Day Off, the first shot is of Ferris's house.
The Matrix uses an extreme close up for the opening shot because it is the opposite of an extreme long shot. This creates a narrative enigma straight away which fits with the thriller genre.

There is usually an audio bridge, non-diegetic music, then goes into diegetic sound with the non-diegetic music in the background.

Representations of characters - clothing, age, gender, jobs, and speech.

narrative

Usually the audience sees the protagonist in the opening of the film, such as in Four Lions.

length

Tuesday, 22 October 2013

My Probable Genre is...

My probable genre is a slasher horror movie opening. This is because I think it is interesting and also quite simple to follow the 'rules' of the genre, such as scream queen dying etc. Films such as Evil Dead (Raimi, 1981), the Saw franchise (Wan, first film 2004) and Sinister (Derrickson, 2012) have influenced my decision on this as they are all horror films I have seen and I would like to make a film opening because of this.

SDB: Film Opening EG 4: Four Lions

Four Lions




SYNOPSIS:
4 young men from Bradford filming plan of terrorism.

IDENTS/TITLES:
2 idents used 

1 of 2 idents used










MISE-EN-SCENE:
grim, dark , bad camera quality in opening shot, gives a video diary entry effect. Dirty room, characters sat on the floor, poor surroundings. 
REPRESENTATIONS:
Clothing; big coats, hat, army style clothing, main character introduced holding a gun. Possible army/ theme. Middle-aged men also related to army theme. Social class; possible quite low-working
NARRATIVE, GENRE, EXPOSITION:
Dialogue and narrative in opening scene, cockney accent, swearing- comical. Switching from bad quality camera to film camera.